The Platform is a satirical production that grapples with Darwinism in some bizarre and all-consuming ways. Inevitably, this leads to an uprising of horrific proportions.
In order of randomized hierarchy, those at the top get the most food, while those at the bottom get the scraps. The story follows the imprisoned residents of a Vertical Self-Management Center, a dystopian vessel that delivers food to its captives by way of an elevator system. Have you ever seen or heard of famed French-Canadian Denis Villeneuve’s short film Next Floor? If not, here’s a quick summary: A baroquely-costumed set of aristocrats gorge on a handsome feast, with their increasingly accrued weight plummeting them (and their table, chairs, and food) through the floor, where they resume said gorging. Galder Gaztelu-Urrutia’s The Platform plays with some of the same narrative bits, albeit in the form of a more realized social commentary. It’s a hard-hitting flick that leans heavily on the gravitas of Pacino’s calling-card performance, and it’s still a great film nearly 40 years after its original release. But with his ego growing by the day, Tony’s hubris begins to interfere with his livelihood, along with the cocaine he’s constantly snorting. De Palma’s version of Scarface follows the near-Shakespearian rise and fall of Tony Montana, a Cuban refugee who murders a government official in exchange for a green card. After arriving in Florida, Tony becomes involved in the criminal underworld, making a name for himself by building a sprawling narcotics empire. But beyond the iconic over-saturation of the legendary screen role, Pacino’s stint as Montana is actually a reworking of a character from Howard Hawkes’ 1932 picture of the same name.
Fitbit Versa 3īrian De Palma’s Scarface experienced a bit of a pop culture resurgence throughout the 2000s, with Tony Montana’s landmark mug finding itself onto plenty of T-shirts at whatever boutique store was about to permanently close at the local mall.
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